Stamina for Dancing

You do not have the stamina for dancing? You wanted it so hard but you just can’t last. You might have lost your stamina along the course of time. Stamina is the strength that keeps you moving and pursuing for a certain activity despite the fact that what you are doing might be probably very tiring. Stamina keeps you longer.

People who desire so much dancing must take the pain such as that of the muscles and bones to surpass it. Superman stamina is what is needed.

Yes, dancing is a tiring activity but it is also a physical help since it strengthens the muscles and firms the skin. It’s actually a good exercise for those who don’t want to spend their money in the gym.

Few Tips While Exercising Through Dancing

  • To sustain the stamina, it is advisable to take a deep breath; try to inhale and exhale during breaks.
  • You need to keep yourself hydrated. Since dancing causes you to lose body fluid by sweating a lot. So, don’t forget to drink lots of water.
  • And lastly, for you not to feel dizzy while dancing, proper diet must not be neglected. Never leave the dining room if the stomach is empty.

Maintain your stamina and enjoy dancing!

Coastal Research for Sustainable Coastal Areas

France is not just known for its romantic place, it is also known for its fine beaches and breathtaking areas. Thus, as important as yeast infection research, France coastal research should be done to keep France’s coastal areas in their beauty. Thus, a research is done by a team of sociologists, economist and geographers. They worked hand in hand to create a tool to assess the coastal zone vulnerability.

This team recognized the importance of France’s coastal areas that it has discovered that the country’s coastal area zone vulnerability is made worse by high level natural risks. Consequently, this is also caused by the developmental socioeconomic risks in the limited geographic area. The ever evolving human activities define the coastline to work permanently through seawalls and jetties.

The modernized coastal areas nowadays are at risk as the result of both telescoping natural and anthropogenic forces. This being said, the idea of sustainable coastal improvement should be considered. As part of the strategy towards coastal management, it is best to evaluate different risks such as erosion and submersion.

The said study permitted the coastline vulnerability to submersion and erosion to be evaluated in different factors such as the exposure to risk and the perception of risks to name some.

Zumba Dance

Dancing is such a graceful talent that everyone loves to have. It can be a form of a hobby for someone who wants to have some fun or a form of exercise for those who want to burn those belly fats. Well, if you want to dance for the purpose of being fit, then why not try zumba dancing?

Zumba is utilized in various weight loss programs. It has simple dancing steps so that people who don’t have that natural talent of copying dance moves can still perform Zumba routines. As a matter of fitness, Zumba dancing is way easier to learn than the usual ballroom dancing. But how can you take part in such dancing fitness routine? Well there are actually two portals for you to do that, so take a peek on the following:

Zumba Video Tutorials

Who says you can’t learn Zumba on your own? It’s definitely a wrong perception to believe in as with the availability of zumba video tutorials. Such kinds of videos can be downloaded or played on the web or even through your mobile phone powered up by a strong web connection. You can just connect through Wi-Fi or with your mobile plan as coupons like that of Sprint promo code 2013 can be your ticket to unlimited online surfing on your mobile phones. When you already have the video, you can just play, pause and rewind and copy the dance zumba dance steps. You can do zumba at your home or at any place for your comfort.

Zumba Dancing Fitness Centers

In case you want the assistance of professional Zumba dance instructors, then enrolling at Zumba dancing fitness centers can be your best bet. With this, you can be taught efficiently on how to do Zumba dancing, making you burn unnecessary fats and calories and the end result will be a flat and toned belly.

Now, as you already know where you can learn Zumba dance steps, you can now start grooving and shaking your body to achieve a healthier and fitter shape.

Keeping Up with the Dance Routines

Dancers dance their way to their dreams. This includes joining dance competitions. Dance competitions may be for amateurs, professionals and elites. Worldwide, there are a lot of dance competitions happening. That is why dancers all over the world are very eager and willing to join these competitions. There are also competitions of small star that only accommodate new dancers.

Energy for Dance Competitions

When you want to dance like it’s your last time to do so, you may need a high sustainable energy. To do this you may need to have a cialis generika. This can keep you up the whole time when practicing your dance routines. It can also help you keep up with the people around you. It will surely help you in perfecting your routine which you will be performing in a competition.

Dance Workshops

To endure the art of dancing as well as start the passion for dancing, there are a lot of organizations which hold dance workshops for newbie’s. Sometimes the workshop depends on the type of dances. These dances could be contemporary, belly dancing, hip hop, ballroom dancing and etc. Age doesn’t really matter when you enter dancing. It doesn’t matter what age you will start in as long as you love what you’re doing.

Ballet Dance

The body is well equipped to perform different tasks and a variety of motions. An example of an activity that utilizes a number of bodily motions is dancing. A specific form of dance is the very famous ballet dance which is usually performed in large orchestras and other presentations. Ballet is a major back bone for presentations like plays. The internationally renowned “Cats” is an example of this.

Ballet dancing targets the arms and leg muscles, generally. With fluid and graceful movement of the arms, it also develops muscle fibers that will not bulge but enough to give the arms a beautiful form. Leg power is also required when most of the actions require small hops or large jumping steps. It also targets the heels because of the tip-toe stand that is done by dancers. Being a ballet dancer also requires or develops the balance, flexibility, and posture, mainly because the goal of ballet dancing is gracefulness. It may also seem as a hindrance when a ballet dancer is not physically fit making the performance of the moves too hard for an individual whose body contain an above average body fat content. With the use of a new effective food supplement that targets burning body fat, having a well-equipped slimmer body is made easy. The internet is filled with Phen375 review of users who have found this product to be very effective.

From Being Gigolo or Escorts to Dancing Escorts: The Advantage on Shifting Gear

Dancing escorts are usually skilled dancers, performers, competitors and dancing teachers who offer services as dance partners in parties, events and other evening social functions. These dancing escorts generally charged the same as with private dancing lessons. Professional service fee of these dance professionals usually cost $20 to $120 per hour and above $200 per hour for some famous personalities.

As these professionals are being paid this big, a lot of people of any gender also find interest in this kind of job. And since the term escort refers to services of any sort, some companion girls who go out with customers for social events or a gigolo that also work as social companion now consider the idea of giving services as dancing escorts.

This kind of job can somehow be easy and profitable for people who worked as sex workers. Although the nature of works are almost similar; giving services to people who want fun and different level of excitement, yet the job as dancing escorts can really be much helpful in gaining image and recognition. To know more of the job and services of dancing escorts, like Spanish escorts, and experience the passion in dancing ballroom, swing, tango, and salsa.

Traveling to Monaco Grand Prix

The Circuit de Monaco runs through the streets of La Condamine and Monte Carlo, around Monaco harbour. The first Monaco Grand Prix was organised by Anthony Noghs in 1929, and is regarded as one of the most prestigious automobile races on the planet.

The first Grand Prix of Monaco was won by William Grover-Williams, then followed by others great names like Schumacher, Senna, Prost, Fangio, Graham Hill.

It is the slowest and the toughest of the World Formula 1 Championship.

The Grand Prix of Monaco is a great mythical race that all the pilots dream to win on the circuit of the Principality.

Coming to the Formula 1 Monaco Grand Prix is one moment unforgettable that you must expect and prepare.

Now the Grand Prix of Monaco is internationally known even by the least excited of motor sport and after various modification on the first trail (turn Sainte – Give, the turn of the restaurant La Rascasse), the circuit measures now 3, 367 km. Due to its length the Grand Prix is limited to 78 turns.

It really is in 1929, on April 14th at 13:30, under the honorary Presidency of S.A.S. the Prince Louis II that the Grand Prix of Monaco was born thanks in particular to President Anthony Noghes who revealed a strong will to be able in order to organize in the smallest European state (after the Vatican) an event of this scale. His notion strongly supported by the Prince Louis II may be concretized thanks to its motivation and support of the famous pilot Monegasque, Louis Chiron.

Because even a small error in the streets of the principality is fatal to win in Monaco Grand Prix 2013 is hard.

The circuit’s elevations shifts, tight corners and a narrow course make it one-of the trickiest in Formula One. It contains both the corner in the activity – the Grand Hotel hairpin, taken at just 50kph (31mph) and some of the quickest (the flat out kink in the tunnel, three turns beyond the hairpin, taken at 260kph (160mph).

While overtaking is notoriously difficult, the circuit’s twists and turns favour the skill of the motorist over the strength of the automobiles.

Dance Lessons for Mothers

There are dance and fitness schools that offer classes in Classical Ballet, Ballroom (country and western), Jazz, Salsa and other multiple dance related directions. This is most encouraged for individuals who have taken up dancing as a therapeutic exercise, a sport or a new way of renewing lifestyle. Besides being fun, dancing offers a lot of benefits as:

  1. Great aid for weight management efforts and improves body shape.
  2. Increases normal lung capacity and decreases blood pressure.
  3. Reduces the risk of cardiovascular system related diseases like coronary heart disease, reduces risk in osteoporosis (since dancing also helps in improving bone density)

People of all ages can participate in dancing even moms. While getting the groove you can also gain a good aerobic exercise and workout.

Just like a dance studio in which one can enroll, learn and rehearse, there are also organizations which offer financial aid like college scholarships and grants for single moms who want to continue their education but do not have sufficient amount of money to sustain their academic endeavors. Here, you will learn about grants for single mothers and other informative resources on where and how you can take advantage of scholarships and grants.

Through this educational opportunity, single mothers can head back to school and choose whether to go to college, postsecondary education or a specialized vocational school. Moreover, this will help and support single parents who are thinking to go back to school to further increase their education, get a high paying job and substantially increase their earning potential.

Contemporary Dancing

Art is continuously developing in almost all areas such as painting, singing, and literature, acting and dancing. These forms of art are progressing. It is dynamic. They were expressed in conservative manners and systems before, but as time passes by, they are slowly expressed in sophisticating and liberating ways.

The art now is more open which comes along with the liberty of the current situation. In drama series, the acting is made even bolder unlike before. When it comes to painting, there are brighter colors now and unique designs.

Singers don’t just sing nowadays, they also dance and perform. Writing has totally been developed also. There are good and funny stories written in order to relay the real story of a certain condition. Literature does not only end up by simply telling stories but it entertains as well.

Contemporary art on academes

There are lots of people who travel as far as Europe just to get a course on Contemporary Arts. Just note that there might be annoying and inevitable flight delays. Check for inquiry of flight delays online to avoid this possible obstacle.

Academes in Europe offer a special course on Contemporary Arts. Just like any other fields mentioned above, it holds the same thing in the case of dancing. Before, steps are conservative, but now, dancing is on its contemporary stage. This basically involves the total movement of the body. The moving body is even bolder and expressive. It is somehow customized and personalized because with contemporary dancing, you are given the liberty to dance on your own steps alongside with art.

There are amazing instructors. It’s as if they have spent their lifetime exploring the art industry. The academes also make available of needed facilities and equipment. There’s a wide range of area allotted for dancing, theater acting and many more. The atmosphere is lively because the people who go to art academes are free people who just do what they exactly want to do.

Eurovision 2013 Results

Shortly we will know Eurovision 2013 results. The way the results are counted?

A qualification round, referred to as the semi – final, was released for the Eurovision 2004 Contest.

The ten most highly-placed non-Big Four countries in the grand final were guaranteed a place in the following year’s grand final, without the need to take part in next year’s semi. The remaining states – which had not automatically certified for the grand final – had to enter the semi.

In the 50th annual meeting of the EBU in September 2007, it was decided that in the 2008 Contest onwards there could be held two semi-finals. From 2008 onwards, the scoreboard position of any previous years has not been applicable, and – save for the automatic qualifiers – all participating nations have had to participate in the semi-finals, regardless of their previous year’s scoreboard position. The only states which automatically be eligible for the grand final are the host state, and the Big Five : France, Germany, Italy, Spain and the United Kingdom, who continue to enjoy their protected position.

The voting systems found in the Eurovision Song Contest have changed throughout the years. The current method has been in position because 1975, and is a positional voting system. Countries give a set of points from 1 to 8, then 10 and ultimately 12 to other tracks in the competition – with the favorite track being granted 12 factors.

Who wins Eurovision 2013? The answer is on

Choosing the Right Dancing Halls

If you and your friends are into dancing, well, you better find a good place wherein you can enhance and exude such talent. Speaking of which, dancing halls are the place to be. This is the perfect place where you can dance and socialize with other dancing enthusiasts developing and continuously learn new dance steps and, among other things, the art of dancing. There are so many dancing halls that you can choose from, but along with such great number, it would surely be confusing for you on which one to opt for. That’s why you need to consider some things in order to identify the best dancing halls in your place.


This is one important thing to consider as you are looking for the right dancing hall. With utmost security of a certain dancing studio, you are guaranteed safe. Just like homeowners where they make it a point to settle with home security companies to keep their belongings and loved ones safe from fraudulent and burglary cases, owner of dance halls should make this their top priority too. Thus, you must not fail to assess the kind of security that any dancing establishment has.

Physical Structure and Appearance

The physical setting of the dance studio plays a vital role too. If one is well designed and structured and has such good vibe suitable for dancing, then that place will have a good impression for many people.

Proficiency of Dance Instructor

Above all, since the main reason for this people in enrolling in a dance studio is to mold their dancing skills then it pays to check the proficiency of their dance instructors. Make sure that the DI is experienced, knowledgeable and really has the talent in dancing.

These are just few yet essential things to look for as you are on the chase of a good dancing hall/studio. If you will use the above mentioned things, you will for sure identify the one that will meet your needs and making you reveal the best dancer in you.

Pole Dancing Play from the Ancient Art of Striptease

There are different dancing plays such as pole dancing. This pole dancing play is an extension of the aged-old art of exotic dance.

The Innana’s dance was the famous dance of the seven veils of Salome, who dance for the King Herold in the Old Testament. Many forms of striptease made its way out through Sumeria, Mesopotamia, Asia and west into the near east and southern Europe via the Gypsies.

The ancient art of striptease with the changes in cultural perceptions and expressions of sexuality is still containing original elements of the art form that is adjusted today in the modern world. One of the variations is the inclusion of pole dancing. It is a combination of feminine, sensual movements with acrobatic, combined with the polish of a dancer and entertainer.

It is now played in strip clubs in Canada and it also spreads to the US and reaching the UK, Europe, and now Asia Pacific.

The pole dancing was suggested to be recognized as an Olympic event. Its emphasis serves to have pole dancing recognized as something more than simply a sleazy practice.

Improving yourself in pole dancing is like improving your credit score. There are best credit repair companies that fix or improve your credit. Improving it by just a few points can save you thousands. What is the important thing to do as in pole dancing play and credit score is to improve the present status.

The Different Art of Dancing

Just sit back, relax, and enjoy watching dancers as they glide and do other body movements on the stage along with other performers and dancers. It is delightful to see how graceful they dance in time with the music.

There are forms of dances, such as listed below:

  • emotional dances that express feelings,
  • modern fitness pole dancing as a form of exercise to be physically fit
  • spiritual setting to be mentally fit
  • mating dances
  • participatory, social
  • performed for an audience
  • ceremonial
  • competitive
  • erotic
  • funny dance demotivators; and
  • sometimes dances that tell a story through the actions and steps of the artist.

There are different techniques and style of dancing, which include the following:

  • Folk dance. These dances have symbolic meanings and gestures.
  • Ballet. A performance dance done by skilled people and with special training.
  • Ballroom. A couple dances in events, particularly held in large parties.
  • Tango. A classical dance style.
  • Striptease. Promotes and helps in good bodily posture.
  • Square dance. An easy to follow step dance.
  • Breakdance. A form of street dance which is popular especially among the youths.

There are sports that have incorporated dances in their movements such as gymnastics, figure skating and synchronized swimming. Through the demonstrative or functional figures of dancing, this can help in:

  • stage presence
  • boosting both physical and mental health
  • character building and;
  • other self-improvement needs.

Artistic Directors

"…dance’s premiere leading man, and actor/dancer of extraordinary range and scope of character, in the living theater of Anna Sokolow’s Players’ Project."

New York Dance and Theater ("Bessie") Award Citation, 1999

Artistic Directors

Jim May has been a devoted disciple of Anna Sokolow for twenty-five years and has performed her work worldwide. He also danced with the Jose Limon Company from the early 1960′s and continues to embrace these two distinct dance styles. He won a 1996 Fullbright Scholarship to Mexico City to extend his studies on Ms. Sokolow and Mr. Limon and their international influence on modern dance. Mr. May is an internationally recognized teacher who has been on the faculties of the State University of New York at Purchase, Juilliard School of Music (New York), and Princeton University, and in 1992 was awarded the Marcus Award for Teaching Excellence from Washington University (St. Louis, Missouri). His choreography has been in the repertories of Dance Conduit of Philadelphia, Dance Forum Taipei, and Thoughts in Motion.

"The highlight was a solo, ‘The Ideas of an Acrobat,’ danced largely with body tensions and minimal movements by Lorry May. There was such inward aliveness and sensitive awareness that each breath became eloquent."

Frances Wessell, Richmond Times-Dispatch, 1972

Lorry May holds a BFA from the Boston Conservatory of Music. She danced world-wide as a soloist with Anna Sokolow for three decades. As an authorized reconstructionist of the Sokolow repertory, Ms. May has set work on the Berlin Ballet (Germany), Ballet Independiente (Mexico), Dayton Contemporary Dance Company (Ohio), DanceFusion (Pennsylvania), and other professional companies. She has taught the Sokolow technique at Keimyung Univeristy (Korea), National Institute of the Arts (Taiwan), New York University (New York City), and the State University of New York at Purchase. As a recognized innovator in the field of Movement for Actors, she has taught at Juilliard School of Music (New York), Banff Center for the Arts (Canada), and is presently on the faculty at the HB Studio in New York. Ms. May has received critical acclaim as an off-Broadway actress, appearing in numerous productions, including the Sokolow-directed Hannah.

Upcoming Projects

Players’ Project at The West End Theater

Our 2003-04 season continues at The West End Theater, December 4-7, with three of Anna Sokolow’s theater dance works, and choreography by Jim May.

The program will include:

From the Diaries of Franz Kafka, choreographed by Anna Sokolow The Evolution of Ragtime by Mr. Jelly Roll Morton, choreographed by Anna Sokolow, text and music after Jelly Roll Morton Magritte, Magritte (excerpt), choreographed by Anna Sokolow Empty Nest, choreographed by Jim May.

Click here for more information, or call 212-741-0900.

Le Nef des Fous

Players’ Project has embarked on a new Transatlantic collaboration with New York choreographer David Parker, French composer Jean-Michel Bossini, and French wind ensemble, le concert impromptu. We presented the work in progress, Le Nef des Fous, based on the paintings of Heironymus Bosch, on Sunday, November 2, at the 92nd Street Y.

In February, the company will join le concert impromptu in a seven-week residency and tour in France. The US debut of the completed work is planned for Fall 2004.

Visit our news page to find out more.   

A Special Celebration

On Sunday, November 2 at the 92nd Street Y, we celebrated the 50th Anniversary of Anna Sokolow’s masterpiece, Rooms, and the beginning of new collaborations.

Visit our news page to find out more. 

Anna Sokolow in The Jewish Women’s Archive

The Jewish Women’s Archive named Anna Sokolow one of their 2002 Women of Valor, in recognition of her contribution to Jewish and American life. Visit their web site to explore a multimedia biography of Anna Sokolow and other trailblazing Jewish women.

To find out more about Anna Sokolow’s life and work, visit our pages about Anna.


Players’ Project Ltd.
Old Chelsea Station
P.O. Box 351
New York, NY 10113


Jim May, Artistic Director

Anna Sokolow's Players' Project

Lorry May, Director
The Anna Sokolow Foundation

Upcoming Performances At The West End Theatre

Players’ Project will present theater dance works of Anna Sokolow and artistic director Jim May at the West End Theatre from December 4-7. The program will include:

THE EVOLUTION OF RAGTIME BY MR. JELLY ROLL MORTON, choreographed by Anna Sokolow. (“a laugh-out-loud send-up of two artistes demonstrating dance steps to Jelly Roll Morton’s thumping piano score with bombastic seriousness,” _The Washington Post); a section from Ms. Sokolow’s full-length multi-media work MAGRITTE, MAGRITTE; Ms. Sokolow’s acclaimed FROM THE DIARIES OF FRANZ KAFKA
(“From the very beginning…there was a rightness to the proceedings that seemed inevitable, inexorable and even intoxicating” _In Step); and a new duet by Jim May.

Upcoming Performances At The West End Theatre

Performers: Davey Bellerose, Eleanor Bunker, Benjamin Cortes, Samantha Géracht, Richard Kilfoil, Jim May, Lauren Naslund, Alicia Stewart, Francesca Todesco, Luis Gabriel Zaragoza

Upcoming Performances At The West End Theatre

Thursday through Saturday, December 4-6 at 8:30 pm
Sunday, December 7 at 3 pm

West End Theater
283 West 86th Street, 2nd Floor
(between Broadway and West End Avenue)

Tickets $20, students and seniors $15
Group rates available
Reservations & information: 212-741-0900

West End Theater, December 4 – 7

 Our 2003-04 season continues at the West End Theater with three theater dance works by Anna Sokolow and choreography by artistic director Jim May. The program will include:Anna Sokolow’s masterwork From the Diaries of Franz Kafka; Ms. Sokolow’s slyly humorous A Short Lecture and Demonstration on the Evolution of Ragtime with text and music after Jelly Roll Morton; An excerpt from Ms. Sokolow’s tribute to the Belgian surrealist, Magritte, Magritte; Jim May’s nuanced portrait of a relationship, Empty Nest.

Performers: Davey Bellerose, Eleanor Bunker, Benjamin Cortes, Samantha Géracht, Richard Kilfoil, Jim May, Lauren Naslund, Alicia Stewart, Francesca Todesco, Luis Gabriel Zaragoza

West End Theater 

283 West 86th Street, 2nd Floor
(between Broadway and West End Avenue)

Thursday – Saturday, December 4 -6 at 8:30 pm
Sunday, December 7 at 3 pm 

Tickets $20, students and seniors $15
Group rates available
Reservations and information: 212-741-0900

From the Diaries of Franz Kafka
“From the very beginning…there was a rightness to the proceedings that seemed inevitable, inexorable and even intoxicating”

In Step

The Evolution of Ragtime
“a laugh-out-loud send-up of two artistes demonstrating dance steps to Jelly Roll Morton’s thumping piano score with bombastic seriousness,”

The Washington Post

West End Theater, December 4 - 7

Magritte, Magritte
“visually exciting and intellectually stimulating”

Dance News

A Special Celebration

On November 2, Players’ Project performed at the 92nd Street Y, a venue with which Anna Sokolow had a special connection. The sold out performance proved to be historic for the company. We performed Ms. Sokolow’s seminal master piece ROOMS, which premiered at the Y 50 years ago, and her quartet FOUR SONGS, which premiered at the Y in 1995.

A Special Celebration

The French wind ensemble le concert impromptu brought Rooms into the present by awakening the Kenyon Hopkins jazz score with a lively rendition rescored by Jean-Michel Bossini.

A new future for Players’ Project was inaugurated in a collaboration with choreographer David Parker of the Bang Group. LA NEF DES FOUS, inspired by the paintings of Heironymous Bosch, requires the dancers and musicians to interact on stage to original music by Mr. Bossini.

The program was completed with a restaging by Deborah Zall of Ms. Sokolow’s 1945 KADDISH, which connected the company with its proud past.

About our Guest Artists

A Special Celebration

le concert impromptu has been called “the finest French woodwind quintet” by the Washington Post. Formed by musicians with a strong temperament, le concert impromptu breaks out of the conventional practices of classical music with great fervor, from the music of J. S. Bach to Miles Davis.

David Parker is the artistic director of The Bang Group, founded in 1995 as a choreographic laboratory for rhythm, rigor and humor. Breaking through boundaries which once separated high and low art forms, The Bang Group merges themes and movements from vaudeville, modern dance, ballet, silent film comedy and Parker’s own inventive dance language.

With intuition but technical fortitude, Jean-Michel Bossini is one of those rare composers who can make a great leap between a re-reading of the medieval Guillaume de Machaut and his own compositions, with influences ranging from Olivier Messiaen to Frank Zappa.

Looking to the Future

Anna Sokolow’s (1910-2000) primary artistic interest was to have a company of musicians, actors, and dancers. This vision is being sustained by artistic director Jim May, who was awarded a Bessie for his work as “an actor/dancer of extraordinary range and scope of character in the living theater of Anna Sokolow’s Players’ Project.”

Anna Sokolow’s Players’ Project would like to thank all the individuals who have become our friends and supporters over the years. Without your interest and encouragement, we would be unable to continue our mission.

Looking to the Future

As Players’ Project steps into the future, we hope that you will join us by continuing your support. Players’ Project is a non-profit organization which relies on private donations. All contributions are tax deductible to the extent allowed by law. Checks can be made out to Players’ Project, Ltd. and mailed to:

Players’ Project, Ltd.
Old Chelsea Station
PO Box 351
New York, NY 10113

50th anniversary of Rooms

92nd St Y – Sunday, November 2

92nd Street Y (11/2) | West End Theater (12/4-7)

You are cordially invited to join Anna Sokolow’s Players’ Project as we celebrate the 50th anniversary of Anna Sokolow’s masterpiece, Rooms, and the beginning of new collaborations. Our 2003-04 season opens on November 2 with a special “Sundays at Three” performance and discussion at the 92nd Street Y, where Rooms premiered in 1954. The program will include:

  • excerpts from Rooms with live music played by the French wind quintet le concert impromptu;
  • excerpts from La Nef des Fous, a new collaborative work in progress inspired by the paintings of Heironymus Bosch, choreographed by David Parker, with original music by Jean-Michel Bossini played by the quintet;
  • Ms. Sokolow’s solo Kaddish, restaged by Deborah Zall;
  • and Four Songs, which premiered at the “Y” in 1995.

Following the performance, Patrons and Sponsors are invited to a reception catered by Dean & DeLuca, featuring the music of le concert impromptu.   


92nd Street Y
1395 Lexington Avenue (at 92nd St.)

To reserve your place at this special event, please print out a reservation form (in PDF/Acrobat Reader format) and return it with your payment before October 25. Space is very limited, and tickets will not be available at the door.

Admission: $45

To find out how to become a Patron or a Sponsor of Anna Sokolow’s Players’ Project, please see the reservation form, call, or email us.

For information, call 212-741-0900 .

50th anniversary of Rooms


Guest Artists

le concert impromptu has been called “the finest French woodwind quintet” by the Washington Post. Formed by musicians with a strong temperament, le concert impromptu pushes the conventional practices of classical music with great fervor, from the music of J. S. Bach to Miles Davis.   David Parker is the artistic director of The Bang Group, founded in 1995 as a choreographic laboratory for rhythm, rigor and humor. Breaking through boundaries which once separated high and low art forms, TBG merges themes and movements from vaudeville, modern dance, ballet, silent film comedy and Parker’s own inventive dance language.   With intuition but technical fortitude, Jean-Michel Bossini is one of those rare composers who can make a great leap between a re-reading of the medieval Guillaume de Machaut and his own compositions, with influences ranging from Olivier Messiaen to Frank Zappa.          

Our season continues December 4-7 with performances at The West End Theater. Find out more.